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TechTrax: Graphics Department

The Graphics Lab: Necessary Introductions

by Danielle Teska

Warning: Before you begin reading this article and those to follow, be aware that before long you will be skipping lunch to retouch photos. You will want to reorganize all your dusty photo albums. You will find yourself being bombarded with requests from family, friends, coworkers, and strangers to fix this photo or make it look "artistic." You will be able to create posters, design Christmas cards, and desktop publish your own newsletter. You will join the thousands of other designers who religiously pay tribute to Control+Z or the miracle of Edit-Undo.

While you may be looking around, asking, "who, me?" this fiction can become a reality once you get sucked into design programs. Some of my friends can sit for an hour just watching me add contrast and change colors in family photos, saying with reverent awe, "Wow, I wish I could do that."

But you can. Graphics software is not difficult to learn, as long as it is one step at a time. In fact, this is the way most designers learn the programs—by tackling one project at a time and learning along the way. You're not going to learn Adobe Photoshop overnight—but, you can do small projects to learn how to crop photos, how to create a path, how to mask an object, and what masking an object means.

Each month, this article will give insight and offer educational projects to better understand such programs as Adobe Photoshop, Illustrator, and InDesign. While there is more design software out there, these three are becoming the industry standard. Now available in the Adobe Creative Suite, this software is rapidly replacing such programs as JASC Paint Shop Pro, CorelDraw, and QuarkXPress/PageMaker, respectively.

Before we get into too much depth, let's understand the type of programs we are dealing with.

Adobe Photoshop: Bitmap

A bitmap program breaks up the visual information into bits. If you've ever seen an image with horrible resolution (low-quality images with low dots-per-inch counts), you can see the image broken up into tiny little squares. When you work in Photoshop, it is important to remember that you are changing, manipulating, and selecting those pixels (bits). When you select what looks to be the border of a desk, those are actual pixels, not a "line" as we think it appears.

Adobe Illustrator: Vector

On the flipside, a vector program deals primarily with lines. You can import a bitmap file into a vector program, but you lose the ability to manipulate those pixels. The image becomes a box. Same concept, except Illustrator gives you more tools on the interface and a variety of ways to manipulate graphics (filters, gradients, and transformation options).

Adobe InDesign: Layout

A newbie to the design scene, InDesign is the fusion of PageMaker and Quark features into one dynamic, similar interface. Users of the older software will find that for the most part, the transition is seamless—especially with Adobe's new PageMaker edition of InDesign. New users will find it fairly simple to use and excellent for incorporation of Illustrator and Photoshop files. It even interfaces well with Microsoft word documents. This is the solution for those who want to design advertisement, book, newsletter, magazine, and mailing layouts.

Each month I'll "assign" three projects, one for each program, and point out tips and tricks along the way.

If you don't have these programs and want them, go to http://www.adobe.com/products/creativesuite/main.html to order the Creative Suite for $999.99. The educational discount at journeyed.com is currently $399.98, but they have had discounted sales in the past.

If you don't have these programs, don't fret. Most other programs have similar features. In fact, most digital cameras come with some sort of free photo-editing software that has many of the same features as Photoshop. However, if you want to get to the nitty gritty of design and want the full array of design options at your feet, the Creative Suite is the way to go.

So, there you are. After TechTrax's summer break, get ready to rock and roll with some serious software tutorials. If you want to get ahead of the class, get your hands on some of the software and play around.

  • Check out the toolboxes.
  • Import a photo into Photoshop and play with some filters.
  • Import a photo into Illustrator and try to trace it with the pen tool (exasperating in the beginning, but worth the sweat and tears in the end).
  • Create a text box and import a photo in InDesign.

Oops, one more word. Macintosh. They are pretty sleek and the screen resolution is nothing to sneeze at. They have the capacity and the memory to run many large programs at once efficiently and, *gasp*, without crashing—a novel concept, I know. However, for you die-hard PC users out there, most software is available in Windows format as well as Mac format. For you serious designers, though, you want to seriously consider picking up an IMac or PowerBook.

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